Micro Salon (ミクロサロン)

Group Exhibition
Participating Artist: Amadour (with Kotaro Nukaga)

Dates

Part I: December 16, 2025 – January 10, 2026
Opening day open until 8:00 PM
Year-End Party: December 26, 2025, 6:00–8:00 PM

Part II: January 13 – January 31, 2026
Opening day open until 8:00 PM

Venue

CADAN Otemachi
2-6-3 Otemachi, Chiyoda-ku, Tokyo 100-0004, Japan
Zenibako Building, 1F

Opening Hours

Tuesday–Saturday, 12:00–7:00 PM
(Exhibition closing day: until 5:00 PM)
Closed Sundays, Mondays, and public holidays
Winter Closure: December 28, 2025 – January 5, 2026

About the Exhibition

Following the strong reception of last year’s exhibition, Micro Salon returns as a salon-style group exhibition organized by CADAN. The project carries forward the legacy of the historic Micro Salon exhibitions previously held each December at Tokyo Gallery.

Selected small-format works by artists represented by CADAN member galleries are presented across two exhibition periods. Artists and artworks rotate between Part I and Part II, offering visitors an intimate and evolving viewing experience.

Held at the close of 2025 and the beginning of a new year, Micro Salon invites audiences to discover a memorable work—whether as a personal acquisition or a meaningful gift.

Participating Artists

(Artists marked with * are exhibited in Part I. Artists and works rotate between Part I and Part II.)

Tomoko Atsuchi (TEZUKAYAMA GALLERY)*
Takehiro Iikawa (TALION GALLERY)*
Yugo Isaji (KANA KAWANISHI GALLERY)*
Nanami Inoue (KOTARO NUKAGA)*
Saya Irie (Tokyo Gallery + BTAP)
Takahiro Iwasaki (ANOMALY)
Yasutake Iwana (Taguchi Fine Art)
Yoshiyuki Oe (TEZUKAYAMA GALLERY)*
Man Katano (MORI YU GALLERY)*
Teppei Kaneuji (Yumiko Chiba Associates)
Mio Kaneda (ANOMALY)*
Shinichiro Kano (Satoko Oe Contemporary)
Rikako Kawauchi (WAITINGROOM)
Hideki Kimura (Imura Art Gallery)
Ryoko Kumakura (Satoko Oe Contemporary)
Aki Kuroda (MORI YU GALLERY)*
Hitoshi Koyanagi (MORI YU GALLERY)*
Takahiro Kondo (Tokyo Gallery + BTAP)
Masaki Sato (AISHO)
Kentaro Sugi (Tokyo Gallery + BTAP)
Ryudai Takano (Yumiko Chiba Associates)
Daisuke Takahashi (ANOMALY)*
Yosuke Takayama (ANOMALY)*
Atsuko Tanaka (Galerie Georges-Philippe & Nathalie Vallois)*
Kazuto Tanaka (KANA KAWANISHI GALLERY)*
Shusuke Tanaka (LEESAYA)
Natsuko Tanihara (MEM)
Mari Tanimoto (FINCH ARTS)
Akinobu Tsukamoto (Taguchi Fine Art)*
Fumika Tsuchitori (WAITINGROOM)
Hiroo Tsuchiya (KOKI ARTS)*
Toshiya Tsunoda (Sprout Curation)
Daisuke Tomii (Yumiko Chiba Associates)
Etsuko Nakatsuji (Yoshiaki Inoue Gallery)*
Kanji Hasegawa (KANA KAWANISHI GALLERY)*
Ryota Hamasaki (MORI YU GALLERY)*
Yuki Hirakawa (STANDING PINE)*
Naoya Hirata (Satoko Oe Contemporary)
Naotaka Hiro (Misako & Rosen)*
Nana Kazano (Tomio Koyama Gallery)
Yuka Hotta (Maki Fine Arts)
Yukino Yamanaka (CON_)
Ruriko Murayama (ANOMALY)*
Sadaharu Motonaga (Yoshiaki Inoue Gallery)*
Naoshi Yamamoto (Yumiko Chiba Associates)
Mayo Yamamoto (Sprout Curation)
Taiki Yokote (CON_)*

*Amadour (KOTARO NUKAGA)

Johan Creten (Perrotin)*
GILLOCHINDOX☆GILLOCHINDAE (CON_)
Gabriel Hartley (HAGIWARA PROJECTS)*
Maya Hewitt (Misako & Rosen)*
intext (STANDING PINE)*
Shawn Kuruneru (KOKI ARTS)*
Marie Laurencin (Galerie Georges-Philippe & Nathalie Vallois)*
Henri Matisse (Galerie Georges-Philippe & Nathalie Vallois)
Joan Miró (Galerie Georges-Philippe & Nathalie Vallois)
Liam Ó Maonlaí (KANA KAWANISHI GALLERY)*

For more information visit: https://cadan.org/author/cadan/

Amadour joins KOTARO NUKAGA at the third edition of Tokyo Gendai, Japan’s premier international art fair, held at PACIFICO Yokohama from September 12–14, 2025, with a VIP Preview and Vernissage on September 11. Bringing together leading galleries and artists from Japan and around the world, Tokyo Gendai has quickly become a global platform for artistic, cultural, and intellectual exchange.

This year, KOTARO NUKAGA presents a curated selection of artists whose practices reflect powerful conceptual depth and striking visual language. The presentation will feature new paintings by Amadour, alongside works by Candida Höfer, Beverly Fishman, Takehito Koganezawa, Tomokazu Matsuyama, Yohei Chimura, Sputniko!, Rember Yahuarcani, Tomona Matsukawa, Alexa Hatanaka, Keita Morimoto, Michael Rikio Ming Hee Ho, Takako Araki, and Kimiyo Mishima.

Exhibition Details

• Venue: PACIFICO Yokohama

• Booth: B01

• VIP Day (by invitation only): September 11, 14:00 – 17:00

• Vernissage: September 11, 17:00 – 20:00

• Public Days:
    • September 12, 11:00 – 18:00
    • September 13, 11:00 – 18:00
    • September 14, 11:00 – 17:00

For more information, please visit tokyogendai.com

FF Projects presents Untitled Summer Suite, a collective exhibition that brings together the work of Mario Garcia Torres, Ryan Gander, Brian Eno, Gonzalo Lebrija, Matthew Feyld, Alessandro Moroder, Jean-Philippe Lagouarde, Dan Lissvik, Amadour and Michael Rikio Ming Hee Ho.

It can be visited from August 15 to October 12 by appointment at ffprojects.org.

FF PROJECTS

May 15, 409, Center

www.ffprojects.org

info@ffprojects.org

ffprojects___

In contemporary art, materiality emerges as a pivotal conduit for the aesthetic experience, transcending mere physicality to engage with temporal and situational contexts. Materiality and Language: Explorations in Form and Meaning is an exhibition that invites viewers to delve into the multifaceted relationship between art and its material essence. Through a curated selection of works by Stefan Brüggemann, Jose Dávila, Rirkrit Tiravanija, Michael Rikio Ming Hee Ho, and Amadour, we explore how materiality is not just about substance but time, perception, and the human experience. Each artist challenges traditional boundaries, creating dialogues that span the visual, textual, and spatial dimensions. Through a curated selection of works, we explore how materiality is not just about substance but time, perception, and the human experience.

In an era where societal perceptions and narratives are continually in flux, the materiality of these artworks serves as a mirror to our collective consciousness, challenging and reshaping how content is perceived and informed. The use of textual elements, gold leaf, and architectural forms, highlight how materials and language serve as more than mere mediums; they are dynamic participants in the dialogue between the viewer and the viewed. These facets become an invitation to see how the selected works inform, influence, and interact as a sensory experience, where the materiality of each piece is not a static entity but a vibrant, living extension of the human condition.