AMADOUR’s artistry resides at the rare intersection of auditory and visual spectacle. Their multimedia practice is a symphony of sensory experiences, combining the evocative power of musical performance with the grand vistas of landscape and abstract painting. Within the walls of their studio, one finds a world that harmoniously marries the immersive visuals of majestic seascapes with the acoustic richness of an expressive tenor vocal range.
It is in this eclectic space that Amadour stages their intricately layered jewel box-like paintings, serving as dynamic backdrops to their enthralling musical performances. With a brush in one hand and a melody in the other, Amadour's work is a dramatic exploration of the interplay between the static and the kinetic, the silent image and the sung note. Amadour takes influence from visual artists Donald Judd, Ettore Spalletti, Wassily Kandinsky, Julie Mehretu, and Hiroshi Sugimoto.
Their canvases are arenas where the theatrics of a piano ballad, the pulse of a nightclub, and the grandeur of opera find their visual counterpart. Amadour invites the audience to traverse the painted surface into an intimate world where a handwritten song in a notebook becomes a study of the art of spectacle.
AMADOUR exhibits as an artist with Kotaro Nukaga (Tokyo, Japan), Galería La Cometa (Bogotá, Colombia), FF Projects (San Pedro Garza Garcia, Mexico), and Emma Scully Gallery (New York, USA), and has curated exhibitions with Gallery Common (Tokyo, Japan), and The Krause Collection (Des Moines, USA). Their art has been featured in Artillery Magazine, ARTnews Japan, Exibart, Cultbytes, amongst others.
Amadour released their debut EP, “Western Movie Dream,” in early 2023 to acclaim from music and art critics. Current projects include The Mapes Suite, a visual and musical project to debut at Truckee Meadows Community College in May 2026, and I Was Born in the Silver, and I Died There Too, an upcoming EP.
Additional highlights include composing essays for the Holt/ Smithson Foundation, the Richard Diebenkorn Foundation, and lecturing with the United Nations Association and the University of Nevada, Reno. Their writing has been featured in frieze, ARTnews, and The Brooklyn Rail, amongst many others, and is included in the permanent archive of the Getty Research Institute Library. AMADOUR co-founded WHO IS SEEN Magazine in 2024 and continues to contribute to several publications. For writing bylines, please click here.
AMADOUR is also a proud board member of Ms. Dan’s Chinese, a Miami-based non-profit that focuses on language education.
AMADOUR lives and works between Nevada, Los Angeles, and New York. A native Nevadan, AMADOUR was born in Sparks and grew up in Reno and Sausalito, California. They received dual BA degrees in studio art and art history from the UCLA School of Arts and Architecture in 2018.
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