Amadour’s artistry resides at the rare intersection of auditory and visual spectacle.

Their multimedia practice is a symphony of sensory experiences, combining the evocative power of musical performance with the grand vistas of landscape and abstract painting. Within the walls of their studio, one finds a world that harmoniously marries the immersive visuals of majestic seascapes with the acoustic richness of an expressive tenor vocal range.

It is in this eclectic space that Amadour stages their intricately layered, jewel box-like paintings, serving as dynamic backdrops to their enthralling musical performances. With a brush in one hand and a melody in the other, Amadour’s work is a dramatic exploration of the interplay between the static and the kinetic, the silent image and the sung note. Amadour draws visual influence from J.M.W. Turner, Richard Diebenkorn, and Agnes Martin; Donald Judd, Ettore Spalletti, Carmen Herrera, and Eduardo Ramírez Villamizar; Eleonore Koch, Wassily Kandinsky, Julie Mehretu, and Mark Bradford; Dat So La Lee; and the theatrical worlds of Erté and Jean Cocteau.

Their canvases are arenas where the theatrics of a piano ballad, the pulse of a nightclub, and the grandeur of opera find their visual counterpart. Amadour invites the audience to traverse the painted surface into an intimate world where a handwritten song in a notebook becomes a study of the art of spectacle.


Amadour in Art Studio Hollywood

Amadour is a queer, Latinx, non-binary, first-generation American artist, musician, and writer from Reno, Nevada, with roots in Mexico and Colombia. Their interdisciplinary practice spans geometric abstraction, orchestral pop ballads, and critical essays. Their work reevaluates diasporic memory, often centering Nevadan queer, Latinx, Black, and Hollywood histories—treating interdisciplinarity as a visual and sonic space for the disremembered.

Current projects include “Amadour: Staking a Claim,” a 2026 solo exhibition at Truckee Meadows Community College, which reimagines the legacy of Latinx miners in Virginia City. Through portals of luminous abstraction, the project links Nevada’s silver veins to Amadour’s Mexican–Colombian lineage and personal biography, reframing the desert as a site of cultural memory and myth. In 2027, they will open their first solo museum exhibition, “Amadour: The Mapes Suite,” at the Nevada State Museum. This visual and musical performance transforms Reno’s lost landmark into an orchestral dreamscape.

Amadour exhibits as an artist with Kotaro Nukaga (Tokyo, Japan), FF Projects (San Pedro Garza Garcia, Mexico), and Emma Scully Gallery (New York, USA), and has curated exhibitions with Gallery Common (Tokyo, Japan), and The Krause Collection (Des Moines, USA), the latter earning them the 2023 Art Directors Association of Iowa (ADAI) Award. Their art has been featured in The Argonaut, Observer, Artillery Magazine, ARTnews Japan, Brutus, Exibart, Cultbytes, amongst others.

Amadour released their debut EP, Western Movie Dream, in early 2023 to acclaim from music and art critics. Their upcoming second EP, The Myth of Amadour: Odyssey of a High Desert Balladeer, offers a stripped-down prelude to their debut album, I Was Born in the Silver, and I Died There Too, with orchestral arrangements by Alan G. Frausto. Together, these projects explore themes of memory, longing, and myth through cinematic ballads and dreamlike pop. Amadour has performed at legacy venues, including The Hotel Café and The Viper Room, as well as the main stage at Northern Nevada Pride, and will be featured in an upcoming performance at Greater Palm Springs Pride in November 2025. Amadour was awarded the 2025 Nevada Arts Council grant to support their recording initiatives.

Additional highlights include composing essays for the Holt/Smithson Foundation and the Richard Diebenkorn Foundation; serving as the 2025 Visiting Artist at the University of Nevada, Reno and MFA scholarship juror; lecturing with the United Nations Association and the International Association of Art Critics (AICA); and conducting workshops at the E.L. Cord Museum School at the Nevada Museum of Art, the Boys and Girls Club of Northern Nevada, and Artown. Their writing is featured in frieze, ARTnews, and The Brooklyn Rail, among many others; cited in ArtReview, Monthly Art, and included in the permanent archives of the Getty Research Institute Library. Amadour co-founded WHO IS SEEN Magazine in 2024 and continues to contribute to several publications. For writing bylines, please click here.

Amadour is also a proud board member of Ms. Dan’s Chinese, a Miami-based non-profit that focuses on language education.

Amadour lives and works in Nevada, Los Angeles, and New York. A native Nevadan, they were born in Sparks and raised in Reno and Sausalito, California. They began their career as a studio assistant to photographer David LaChapelle before earning dual BA degrees in Studio Art and Art History from the UCLA School of the Arts and Architecture in 2018, where they studied under Barbara Kruger, Lari Pittman, and Mary Kelly.


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